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Huey "Piano" Smith and the Rocking Pneumonia Blues, by John Wirt
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Huey "Piano" Smith's musical legacy stands alongside that of fellow New Orleans legends Dr. John, Fats Domino, Ernie K-Doe, and Allen Toussaint. His 1957 classic, "Rocking Pneumonia and the Boogie Woogie Flu," made Billboard's top R&B singles chart, and hundreds of artists including Aerosmith, the Grateful Dead, the Beach Boys, Johnny Rivers, and Chubby Checker have recorded his songs.
The first biography of the artist responsible for hits "Don't You Just Know It," "High Blood Pressure," and "Sea Cruise," Huey "Piano" Smith and the Rocking Pneumonia Blues follows the musician's extraordinary life from his Depression-era childhood to his teen years as a pianist for blues star Guitar Slim to his mainstream success in the 1950s and '60s. Drawing from extensive interviews and court records, author and journalist John Wirt also provides new insights on Smith's professional disappointments and financial struggles in the 1980s and '90s as he battled over royalties from his most successful and profitable work.
An enigmatic and guarded personality in a profession of extroverted performers, Smith made farreaching contributions to the New Orleans music scene as a songwriter, pianist, and producer. Wirt reveals that Smith's numerous collaborations with other artists -- including the Clowns, the Pitter Pats, the Hueys, and Shindig Smith and the Soul Shakers -- served as vehicles for his creative vision rather than simply as an anonymous backup for a leading front man.
Throughout this intimate account, Wirt details Smith's significant impact on rock and roll history and underscores both the longevity of his music -- which has entertained and inspired for over five decades -- and the musician's personal endurance in the face of hardship and opposition.
- Sales Rank: #1274707 in eBooks
- Published on: 2014-03-24
- Released on: 2014-03-24
- Format: Kindle eBook
Review
"I credit Huey with opening the door for funk, basically aswe know it, in some ridiculously hip way, and putting it inthe mainstream of the world's music." -- Dr. John, 2011Rock and Roll Hall of Fame inductee
About the Author
John Wirt has covered music, film, and entertainment for the Richmond Times-Dispatch, the Daytona Beach News-Journal, and The Advocate's Baton Rouge and New Orleans editions.
Most helpful customer reviews
3 of 3 people found the following review helpful.
I know something of the great Huey Smith and the pivotal music played at Cosimo's ...
By Nat Speir
I am a Southerner, 70 years of age and I have played R&B my whole life. I know something of the great Huey Smith and the pivotal music played
at Cosimo's in the 50's-early 60's. I enjoyed the book- But, it is heavily weighted in the direction of "an artist's legal problems, and the unfairness of the record industry". Of course Huey's situation is unfortunate, even worse than Allan Freed taking writers credit on The Moonglows records, etc. Still, as a musician I would like to have read more about the great Huey Smith's piano playing. Next to Professor Longhair, Huey was the man- capable of chord voicings and keyboard ideas beyond Fat's and all the others.
3 of 3 people found the following review helpful.
Great book about a great artist that really got screwed ...
By Kindle Customer
Great book about a great artist that really got screwed by the music biz....what a shame...the 50s were tough times, but also brought us the greatest music in American history, and Huey is a major player in that...
Thank you for bringing his story to our attention...thank you Mr. Wirt, and thank you Huey for your contribution to American music and New Orleans R& B.
1 of 1 people found the following review helpful.
Well-researched, entertaining bio of an influential R&B pioneer
By Todd Baptista
This 243-page paperback brings Huey "Piano" Smith out of the shadows for the first time in a well-researched, entertaining, and informative narrative of his early years, his career as a songwriter and recording and performing artist, the lack of proper financial compensation, and the lengthy, painful lawsuits that ultimately paid the biggest dividends for people other than Smith. Fans and historians finally get a chance to learn about Clowns' alumni "Scarface" John Williams, Gerri Hall, Curley Moore, Roosevelt Wright, Francis Eugene Harris, and Bobby Marchan from their humble beginnings until, in some cases, their tragic deaths. While I would have enjoyed seeing some additional images reproduced of the Clowns (Williams' daughter has recently posted several online) and a discography with personnel tackled, this is a well-written and edited effort that does justice to Huey Smith's musical legacy.
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